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But Press, a data format rather than a language, lacked flexibility, and PARC mounted the Interpress effort to create a successor. This work later evolved and expanded into the Interpress language. At about this time they were visited by Steve Jobs , who urged them to adapt PostScript to be used as the language for driving laser printers. The combination of technical merits and widespread availability made PostScript a language of choice for graphical output for printing applications.
For a time an interpreter sometimes referred to as a RIP for Raster Image Processor for the PostScript language was a common component of laser printers, into the s. However, the cost of implementation was high; computers output raw PS code that would be interpreted by the printer into a raster image at the printer’s natural resolution. This required high performance microprocessors and ample memory. The LaserWriter used a 12 MHz Motorola , making it faster than any of the Macintosh computers to which it attached.
When the laser printer engines themselves cost over a thousand dollars the added cost of PS was marginal. But as printer mechanisms fell in price, the cost of implementing PS became too great a fraction of overall printer cost; in addition, with desktop computers becoming more powerful, it no longer made sense to offload the rasterization work onto the resource-constrained printer.
By , few lower-end printer models came with support for PostScript, largely due to growing competition from much cheaper non-PostScript ink jet printers, and new software-based methods to render PostScript images on the computer, making them suitable for any printer; PDF , a descendant of PostScript, provides one such method, and has largely replaced PostScript as de facto standard for electronic document distribution. On high-end printers, PostScript processors remain common, and their use can dramatically reduce the CPU work involved in printing documents, transferring the work of rendering PostScript images from the computer to the printer.
The first version of the PostScript language was released to the market in The qualifier Level 1 was added when Level 2 was introduced.
PostScript Level 2 was introduced in , and included several improvements: improved speed and reliability, support for in-Raster Image Processing RIP separations, image decompression for example, JPEG images could be rendered by a PostScript program , support for composite fonts , and the form mechanism for caching reusable content.
PostScript 3 was significant in terms of replacing the existing proprietary color electronic prepress systems, then widely used for magazine production, through the introduction of smooth shading operations with up to shades of grey rather than the available in PostScript Level 2 , as well as DeviceN, a color space that allowed the addition of additional ink colors called spot colors into composite color pages.
There were a number of technologies for this task, but most shared the property that the glyphs were physically difficult to change, as they were stamped onto typewriter keys, bands of metal, or optical plates.
This changed to some degree with the increasing popularity of dot matrix printers. The characters on these systems were drawn as a series of dots, as defined by a font table inside the printer. As they grew in sophistication, dot matrix printers started including several built-in fonts from which the user could select, and some models allowed users to upload their own custom glyphs into the printer.
Dot matrix printers also introduced the ability to print raster graphics. The graphics were interpreted by the computer and sent as a series of dots to the printer using a series of escape sequences. These printer control languages varied from printer to printer, requiring program authors to create numerous drivers.
Vector graphics printing was left to special-purpose devices, called plotters. Almost all plotters shared a common command language, HPGL , but were of limited use for anything other than printing graphics. In addition, they tended to be expensive and slow, and thus rare. Laser printers combine the best features of both printers and plotters. Like plotters, laser printers offer high quality line art, and like dot-matrix printers, they are able to generate pages of text and raster graphics. Unlike either printers or plotters, a laser printer makes it possible to position high-quality graphics and text on the same page.
PostScript made it possible to exploit fully these characteristics by offering a single control language that could be used on any brand of printer. PostScript went beyond the typical printer control language and was a complete programming language of its own. Many applications can transform a document into a PostScript program: the execution of which results in the original document. This program can be sent to an interpreter in a printer, which results in a printed document, or to one inside another application, which will display the document on-screen.
Since the document-program is the same regardless of its destination, it is called device-independent. Adobe Photoshop CC Crack Here are some examples of photos that Photoshop Free Crack presented to me.. Contact me if you need any software! Download Adobe Illustrator CC latest version Dec The latest and the biggest software from the Photoshop line-up from Let me now introduce you to the features of the Adobe Photoshop Deepak August 13, Reply..
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The qualifier Level 1 was added when Level 2 was introduced. PostScript Level 2 was introduced in , and included several improvements: improved speed and reliability, support for in-Raster Image Processing RIP separations, image decompression for example, JPEG images could be rendered by a PostScript program , support for composite fonts , and the form mechanism for caching reusable content. PostScript 3 was significant in terms of replacing the existing proprietary color electronic prepress systems, then widely used for magazine production, through the introduction of smooth shading operations with up to shades of grey rather than the available in PostScript Level 2 , as well as DeviceN, a color space that allowed the addition of additional ink colors called spot colors into composite color pages.
There were a number of technologies for this task, but most shared the property that the glyphs were physically difficult to change, as they were stamped onto typewriter keys, bands of metal, or optical plates.
This changed to some degree with the increasing popularity of dot matrix printers. The characters on these systems were drawn as a series of dots, as defined by a font table inside the printer.
As they grew in sophistication, dot matrix printers started including several built-in fonts from which the user could select, and some models allowed users to upload their own custom glyphs into the printer. Dot matrix printers also introduced the ability to print raster graphics. The graphics were interpreted by the computer and sent as a series of dots to the printer using a series of escape sequences.
These printer control languages varied from printer to printer, requiring program authors to create numerous drivers. Vector graphics printing was left to special-purpose devices, called plotters. Almost all plotters shared a common command language, HPGL , but were of limited use for anything other than printing graphics. In addition, they tended to be expensive and slow, and thus rare. Laser printers combine the best features of both printers and plotters.
Like plotters, laser printers offer high quality line art, and like dot-matrix printers, they are able to generate pages of text and raster graphics. Unlike either printers or plotters, a laser printer makes it possible to position high-quality graphics and text on the same page. PostScript made it possible to exploit fully these characteristics by offering a single control language that could be used on any brand of printer.
PostScript went beyond the typical printer control language and was a complete programming language of its own. Many applications can transform a document into a PostScript program: the execution of which results in the original document. This program can be sent to an interpreter in a printer, which results in a printed document, or to one inside another application, which will display the document on-screen. Since the document-program is the same regardless of its destination, it is called device-independent.
When the PostScript program is interpreted, the interpreter converts these instructions into the dots needed to form the output. Almost as complex as PostScript itself is its handling of fonts. The font system uses the PS graphics primitives to draw glyphs as curves, which can then be rendered at any resolution.
A number of typographic issues had to be considered with this approach. One issue is that fonts do not scale linearly at small sizes and features of the glyphs will become proportionally too large or small and start to look displeasing. PostScript avoided this problem with the inclusion of font hinting , in which additional information is provided in horizontal or vertical bands to help identify the features in each letter that are important for the rasterizer to maintain.
The result was significantly better-looking fonts even at low resolution. It had formerly been believed that hand-tuned bitmap fonts were required for this task. At the time, the technology for including these hints in fonts was carefully guarded, and the hinted fonts were compressed and encrypted into what Adobe called a Type 1 Font also known as PostScript Type 1 Font , PS1 , T1 or Adobe Type 1. Type 1 was effectively a simplification of the PS system to store outline information only, as opposed to being a complete language PDF is similar in this regard.
Adobe would then sell licenses to the Type 1 technology to those wanting to add hints to their own fonts. Type 3 fonts allowed for all the sophistication of the PostScript language, but without the standardized approach to hinting. The Type 2 font format was designed to be used with Compact Font Format CFF charstrings, and was implemented to reduce the overall font file size.
To compete with Adobe’s system, Apple designed their own system, TrueType , around Immediately following the announcement of TrueType, Adobe published the specification for the Type 1 font format. Retail tools such as Altsys Fontographer acquired by Macromedia in January , owned by FontLab since May added the ability to create Type 1 fonts.
Since then, many free Type 1 fonts have been released; for instance, the fonts used with the TeX typesetting system are available in this format. In the early s there were several other systems for storing outline-based fonts, developed by Bitstream and Metafont for instance, but none included a general-purpose printing solution and they were therefore not widely used.
In the late s, Adobe joined Microsoft in developing OpenType , essentially a functional superset of the Type 1 and TrueType formats. When printed to a PostScript output device, the unneeded parts of the OpenType font are omitted, and what is sent to the device by the driver is the same as it would be for a TrueType or Type 1 font, depending on which kind of outlines were present in the OpenType font.
In the s, Adobe drew most of its revenue from the licensing fees for their implementation of PostScript for printers, known as a raster image processor or RIP. As a number of new RISC -based platforms became available in the mids, some found Adobe’s support of the new machines to be lacking.
This and issues of cost led to third-party implementations of PostScript becoming common, particularly in low-cost printers where the licensing fee was the sticking point or in high-end typesetting equipment where the quest for speed demanded support for new platforms faster than Adobe could provide. Apple ended up reaching an accord with Adobe and licensed genuine PostScript for its printers, but TrueType became the standard outline font technology for both Windows and the Macintosh. Do you mean the book?
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